Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Thursday, October 23, 2014

To every thing there is a season.

It seems that most of my posts of late are posts dedicated to someone or other. This isn't something I intended to do, but the series of events that have unfolded lately have led to this point. I've had a number of funerals, weddings, and life changes in the past year, and my life has been affected by a lot of important people.

This is another one of those posts.

My Nana, known better as Dr. Stella Muriel Cooper (or just "Muriel" to her friends and family), passed on just a little over three weeks ago, and though the funeral has come and gone, I have still found myself saying goodbye every day since--sometimes in ways that surprise me.

In the days leading up to her death, I went in to visit her several times. One night, my mother decided to start reading her some of her own poetry. She wrote a beautiful book of poems called the Music of Memory, and I found a poem in there entitled "Spring". I had remembered hearing it read years ago, but it struck me more than ever on this day. This poem was about me.

"Spring" by Muriel Cooper
At sunrise,
the mourning doves
cooed outside my bedroom window.
I could almost hear the daffodils
pushing their green higher
through the dark bark mulch.
One small patch of snow
outside on the balcony has refused
for days to melt more than a few drops.
* * *
Musing, I hear light footsteps
moving nearer
from down the hall.
A small blonde head
appears
around the half-open door.
"Nana," she says,
"I just had
a bad dream!"
She holds me close
pulls back the covers and
climbs in beside me.
For just a few minutes all is quiet.
I doze, grateful that I have
a granddaughter eight years old.
Questions, questions
time passes too quickly
slow down.      Then
one ear buried in my pillow
I hear her whisper, "Can we go down now and
make the oatmeal porridge?"

How could I forget our morning oatmeal ritual? Nana hadn't been living at home for fourteen years, but before that, when I was young, we would make oatmeal together every morning that I stayed with her. It was plain oatmeal, but she would sprinkle brown sugar on top and pour cold milk over while the porridge was still hot. Years of eating pre-packaged garbage--flavoured instant oats full of unnecessary sugar and sodium--made me forget how perfect plain oatmeal could be. In the days after I read that poem, I would make myself oatmeal for breakfast. I've continued to do this most mornings, now, and I always try to reflect on memories I shared with Nana as I was growing up.

One of my favourite memories happened one time while Nana came to visit me. It was winter, and she and I were alone in the house. Snow was coming down steadily, and it was that coveted packy snow that made perfect snowballs and snowmen. I challenged Nana to a snowball fight, and she accepted. The two of us went outside together and started lobbing snow balls at each other. She successfully hit me more times than I hit her, and not only was her aim true, but she hit me in the face--twice!--with a snowball. I remembered laughing incredulously as she struggled to withhold her own laughter and stammered out an apology. She also went with me many years ago on my first day of kindergarten.

A picture of me and my Nana on the day she obtained her
doctorate from Dalhousie University.
Nana was an incredibly intelligent woman, and on top of that, she had an extensive career and impressive curriculum vitae. I didn't know that side of her well, but have gotten to know it better since her death. I hadn't realized, growing up, how accomplished she was, or how her accomplishments would come to inspire me later on. At the age of 70, for instance, she received her doctorate from Dalhousie University--the oldest student, at the time, to receive it. I was three.

Though I don't have the same level of dedication to my studies as she did, she emphasized the importance that I receive an excellent education nevertheless. She has been an inspiration to me all through my university life--she even put some money aside for me when I was very young to ensure my ability to pursue my education. Though I took a five-year break between my studies, I am finally finishing my degree this fall. I dedicate this degree, in part, to her, for giving me an opportunity that so many people cannot have and wish they could. I'll always be grateful to her for contributing so vitally to my ability.

This particular quote from the Bible was read at both my Nana's and my Uncle Gordon's funerals, and it's fitting, given the last two months. In fact, at Uncle Gordon's funeral, I read from his Bible. When I was looking at the verse, I noticed that he had actually ticked it off with a pen. We had chosen this verse without looking into Uncle Gordon's own personal Bible, and as I opened it up to read from it at his funeral, I had noticed that he had placed little check marks next to the verses. An interesting coincidence, at the very least.
To every thing there is a season, and a time to every purpose under the heaven:A time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted;A time to kill, and a time to heal; a time to break down, and a time to build up;A time to weep, and a time to laugh; a time to mourn, and a time to dance;A time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing;A time to get, and a time to lose; a time to keep, and a time to cast away;A time to rend, and a time to sew; a time to keep silence, and a time to speak;A time to love, and a time to hate; a time of war, and a time of peace.
- Ecclesiastes 3:1-8

I'd been re-listening to Nightwish's Imaginaerum album of late, particularly around the time of Nana's passing, and this song in particular stuck with me. The lyrics should reveal why.


This fall has certainly been the season of good-byes, between Nana and Uncle Gordon. I'm grateful to have had both of them in my life for so long.

*Footnote: if you're interested in purchasing a copy of my Nana's poetry book, please send me an e-mail and I will happily discuss the details with you.

**"Spring" has been shared with the publisher's permission.

Sunday, June 15, 2014

Father's Day

My Dad, Allan Cooper, reading poetry at the Université de
Moncton library.
"Everyone knows Allan Cooper."

That was how my father was introduced on Thursday, April 24th, when going up to read his poetry at a Frye Festival event here in Moncton.

Something about that moment filled me with such immense pride that, I couldn't help but beam and clap loudly as he went to the front to read.

Those few words summed up my childhood with Allan Cooper pretty well. If I went anywhere with Dad, you could be sure that we were going to run into at least one person he knew, and he'd have a chat with them. It was, and still is, an inevitability. He'd even spend a few minutes catching up with the woman working the counter at the post office if he was just popping in to get the mail. Anywhere I went with Dad would end in a slightly longer trip than expected.  Sometimes, though, it wouldn't be because we ran into people, but because we went on an impromptu adventure. He'd tell me stories about when he was a kid and his father--my grandfather John Cooper, who I sadly never met--would take him on adventures. They'd get to the bottom of a street, and Grampie John would ask Dad "left or right, boy?". Dad continued this tradition on with me, and we still do this sometimes on my days off. My Dad loves to golf, too, and often spends a sunny day in the summer time on the greens of Fundy.

My Dad is a social animal, but he is also well known for his talents. He's is a poet--that's his full-time job. He's written 14 books and won literary awards. As previously mentioned, he's read at the Frye Festival, on numerous occasions. In addition to being a poet, he's also a musician. He started out with a blues trio and went on to do his own solo projects. He's been nominated for Music NB awards and has played showcases for both Music NB and the East Coast Music Awards. Dad wanted to be a poet since he was a young man, and the fact that he's been able to follow his dreams his whole life has been an immense inspiration to me.

Me and Dad a few years ago, heading out to see the band
Mother Mother in concert together.
Dad also was the one in charge of cooking, most of the time. Being a poet, he would stay at home while Mom went to work. Most of the time, she was working as an English professor, but early on she did some freelancing. Dad would stay home to do the cooking and the cleaning while I was at school, and I would often come home and plop myself in front of my Nintendo 64 while he worked on one of his delicious suppers. I attribute my cooking ability today to Dad's influence.

Being an artist himself, Dad always has encouraged me to pursue my own dreams of becoming a writer. He has helped me edit and proofread my own poetry and helped me find my voice, in addition to all the guidance he gave me growing up. Now, spending time with my dad isn't just like hanging out with a family member--he's a good friend. We still spend a lot of time going for hikes together, which we did when I was in high school--this, and his influence, helped me have an appreciation for the woods and nature. We used to go on the back of the hill and pick blueberries to make pies together. We've played many, many hours of Mario Golf and Mario Kart together. Besides the serious side he displays while reading poetry and playing music, many friends and family members can account for his silliness and fun-loving attitude.

One of my favourite early memories of Dad was when I was very young--probably only 2 or 3. Dad had a big garden in our lower lot in Riverview. He grew big, beautiful tomatoes, and one day had picked one to show me. It was gorgeous--but sadly, I thought it was an apple. He encouraged me to take a bite, and I did. And I didn't like tomatoes again until I was about 23. Now, I'm growing my own tomatoes.

I could go on forever about my dad. I feel incredibly lucky to have had a close relationship with him all these years and I always enjoy spending time with him. He's promised me we're going to spend some time this summer doing a writing workshop together and going on hikes. Last year, we spent a day out on the beautiful Matthew's Head trail in Fundy park, and I can only imagine we're going to do something similar this summer.

Thanks for everything you've done for me, Dad. Here's to the future continuing to be filled with a healthy mixture of silliness and seriousness. I love you.

Wednesday, March 19, 2014

Annual Atlantic Undergraduate English Conference

I mentioned in an earlier post that this was going to be a year of opportunities for me. This past weekend, I had an opportunity to represent Université de Moncton, along with three of my fellow English department students, in the Atlantic Annual Undergraduate English Conference that was held at Dalhousie University in Halifax.

On Friday night, we listened to Lynn Coady deliver a keynote address, approaching the topic of being unafraid to write despite having people against you. The next day opened the floor to the students from the Atlantic region, and I had the privilege to hear interesting papers about everything from mental illness through aerial dance, to comparisons of Monty Python's Life of Brian to the Second Shepherd's Play. Creative panels displayed the talents of students, who wrote about family war-time stories and read aloud their diverse and thought-provoking poetry.

On Saturday afternoon, I had the opportunity to read my own poetry in front of the crowd. Interestingly, that same day was my father's birthday. Allan Cooper is a poet, and because of him, I've been exposed to poetry my whole life. I have never read a selection of poems in front of others; I've always been reading just one or two. It seemed fitting that, on his birthday, I take the opportunity to read fully for the first time.

This weekend, it hit me just how much I miss being an English student. I'm still an English major, but I finished my required courses ages ago and am just ticking off all my necessary, required courses, now. I especially miss writing critical papers--analyzing works of literature, or articles, and trying to find the mysteries in each. I think I might do a few on here--for fun--over the next little while. Why not? I have a few ideas in mind already.

Attending and reading at this conference was a fantastic experience, and I highly recommend it to any Atlantic Canadian English student. Submit you paper or creative works next year, and take pride in your work!

Monday, February 18, 2013

A reading

A few weeks back, I had the distinct pleasure of seeing a group of people that I knew from all walks of life read before an audience. There were five people in total: one is the head of the Writer's Federation I'm a member of, one was my professor, one a customer, one a co-worker, and one is my father.

Seeing these five people, all of whom have affected my life in different ways, work together so flawlessly was inspiring. The five of them had been meeting together to discuss poetry and draw inspiration from one another. What came from these meetings was beautiful poetry--some of which was read that evening.

Cafe Aberdeen was filled with people, some of whom knew these poets, as well. It was very well-attended, and the cafe workers actually had to bring in more chairs to accommodate people. While the poets read, the audience, rapt and attentive, said nothing. The magic of poetry hung heavy in the air like snow on a branch. No one dared speak out of turn to break the spell.

It was an inspiring night, and I'm sure I wasn't the only one who left with an unfinished poem in my head. In fact, I saw a woman scrawling notes down during the reading, probably for later use.

In honor of that evening, I wrote this one unfinished and unedited poem. It's aptly named, I think; I call it "At a Poetry Reading".

Perched
like a cat watching a bird
on the edge of the stool
you listen and watch
attentively
held in balance
suspended
absorbing every word
and never losing focus
or wavering
from the person who reads before you.

When the poems are done
you do not clap
but continue staring ahead
in the pose you assume
that looks so uncomfortable to me
but you hold so effortlessly
it must be a second nature
to you.

Do you refrain from clapping
because you didn't enjoy it?
Or rather
were the words so powerful
they shocked you into stillness
and led you to believe
that no sound
of appreciation
could really do them justice?

Do you
like so many others in this room
have your own way
of keeping the silent magic?

This winter has been a bit strange for me, and finding inspiration for writing has been scarce. This reading was like a shining beacon in the (literal) storm that has been the past two months.  When I say literal storm, I mean that my house is currently sitting under a good six feet of snow!

I'm not kidding!



 I have a week of vacation next week, so there may be more blog posts forthcoming. In the meantime, I'm still regularly updating thisindiegameblog, as winter is a perfect time of year to sit inside and play games!

Saturday, September 29, 2012

End of an Era

I like to go walking--sometimes for hours at a time. It takes a bit longer than jogging but there's something about it that makes me prefer it. Perhaps it's the little details I catch along the way, or the opportunity to stop and smell the roses. I've never been much for moving fast. I always took the moral of the Tortoise and the Hare to heart: slow and steady wins the race.

So, I give myself a bit of extra time and I walk, leisurely. Normally, I walk to work, but in the summer time, all I do is walk around and explore my surroundings. Walks become more difficult in autumn and winter, when the days are shorter, but I usually get one or two in on my days off. I don't like to walk after dark quite as much, mostly because it's harder to see your surroundings and pick out those neat little details that you could see more easily in the daytime. Occasionally, though, something special will happen during a nighttime walk. One time, I saw a friendly cat with a scratchy voice, running toward me on only three legs. She let me pat her for a moment, but then I heard a door across the road open, and a woman calling softly to her. I don't remember the name, but it was a cute, feminine name, like Amelia, or Annabelle. The cat went running back across the street and I thought to myself that she was probably well-loved and well-taken care of.

While on my walks, I have a number of notebooks that I keep close at hand in case of sudden, inexplicable inspiration. This happens fairly often. One of these books is a little brown Moleskine that I use to write poetry.



It's a bit faded now, but it features a design that I put on to decorate it. Inside is poetry that I've been writing since 2010. My father gave it to me one day when we were on a little excursion together in Sackville. He bought a little three-pack and handed one to me for use on my travels, and I've been using it ever since. It's an interesting assortment of poems, because they were written during various periods of self-evolution. One of them, for example, was inspired by how excited I was to try and find a new job. One was written when I really didn't want to go to work. I wrote one while visiting a graveyard in the town of Charlbury, England, based on the idea of walking with the dead. I have a page dedicated to haiku. All of these poems I can look back on and associate with a time in my life.

I will, now, share with you the final poem I wrote in this little book. I wrote it yesterday, pausing on my walk to work. It needs editing, but perhaps publishing this unfinished version of it will force me to finish it! It is currently without a title.

Head filled with numbers--
Crammed full of stupid little things that, years from now,
Will not matter to me
Nor, really, to anyone.
How is it that we humans are able to fill the blanks in our lives
With such useless information
That we end up becoming defined by it?
Our society corrupt,
Driven by cars spewing pollution of one kind
And the media spewing pollution of a whole different kind.
How can I write poetry
When I'm too busy worrying about
Today's sales, or
What hairstyle to wear tomorrow, or
What to think of the woman who walked by alone, having an animated discussion with herself?
How can I focus on someone else's personality, their mind,
And the creative jewel within
When I can't stop thinking about how stupid she looks in that outfit?
Society has trained us all to be mindless and shallow.
The defining moment comes when we are able to break free of those restrictions.
- Sept 28, 2012
I wouldn't call it a positive poem by any stretch, but more of a "catching myself in the act" poem. Have you ever caught yourself thinking something about a certain topic that, under normal circumstances, you would be embarrassed of yourself? That is, essentially, what this poem is about. On more than one occasion of late, I have caught myself doing just that and feeling ashamed of myself. Instead of beating myself up over it, I turned it into something creative. And, here we are. It's a little reminder to go back to former ways of thinking while I still know that the current way of thinking, really, is not who I am at all!

Tomorrow, I will go out and find a new little pocket book for poetry, and begin another chapter in my everyday-inspired poetry.

Monday, October 24, 2011

Goodbye to an old friend.

Losing family isn't easy. It doesn't matter what relation they are to you: if they are gone, they leave behind a hole in your heart that can never really be filled up again.

Not all family members are blood family. In fact, not all of them are even human.

Yesterday, we lost a very dear family member: our cat, Jake (short for Jaqueline), who had been with us for fifteen years. She was old, and her heart couldn't take the strain anymore. There was nothing we could do and she wasn't in pain, she was just weak. So, Mom and Dad brought her home for the last time.

She died very quietly and peacefully yesterday morning, to the sound of water from the open window. We buried her later that day in Alma, near a spot by our house where she used to go mousing. She was an indoor-outdoor cat, and she loved to hunt.

She also loved us.

Jake was very much a people cat. Her best friend was my father, whose nose she would bat with her paw in the morning to wake him up. She would follow him everywhere like a loyal dog and would scold him if he left for too long.

She had a very big personality and was vocal; Jake's thoughts were never a question, and she certainly didn't need any words to let her opinions be heard.

I'll never forget the last night I saw her. It was just the other night, in fact, after they had brought her home from the vet. She was so weak, and she couldn't move more than a few steps without getting tired. I approached her and saw her lying in her basket, staring off in the distance. When she heard my footfalls, her head popped out of the basket to meet my eyes. She greeted me with one of her classic meows, as if to say "You're here! You came! I'm so glad to see you!", and she didn't sound hoarse at all, even though she was so weak. She didn't give any hint to how tired she was with those meows. They sounded reminiscent to the older days, when I would come home from school or work or university, and she would greet me the same way.

I patted her and she gave the same happy purrs she would when she was healthy. I'll miss the sound of her purring. It was how I could tell which cat had just jumped on the foot of my bed when it was dark. Her brother, Mira, didn't have quite as distinct a purr as Jake's.

Mira left us many years ago, a very sick cat. Jake was healthy up until about a month ago, when her heart started to fail her. She was responsive until the end, though, and her eyes would dart about wide and alert the whole time, as if she didn't want to miss a moment of it.

Jake wasn't just family, she was a friend. She always knew me, even when I left for many months for university, and always greeted me the same way when she saw me: the same as when she saw me the other night. Some people would think it strange to mourn the loss of a pet so strongly, but I don't believe that. You don't need words to build a lasting bond. You don't need to speak the same language to miss the sound of someone's voice, or to be understood. In fact, sometimes the lack of language makes the communication that much stronger. It eliminates the need for words altogether. Sometimes it can make the bond that much deeper.

So, thank you, Jake. Thank you for being a friend. Thank you for always being so vocal. And thank you, especially, for holding on until we could see you at the very end, and purring the whole time. Thank you for that one last fond memory I have and will never forget.


To finish, I'm going to add in a poem that my father, Allan Cooper, wrote about Jake the other day, and finished yesterday after she was buried.

Saying Goodbye to Summer by Allan Cooper

Sometimes it seems my life
is a series of goodbyes: goodbye
to the cat, goodbye to a friend,

goodbye to the last summer light.
Oh how we basked in it,
how she flopped back and forth

on the deck in the thick heat,
how she woke me with her paw
on my nose at the first sliver

of dawn light. What will we remember
as we go? A face, a gesture, a voice
opening in sweetness?

Hearts break, but they
never completely heal. Cats
adopt us, and there’s no way

out of that bond. “Remember me”
says one hair on the floor.
“Remember the light.”

Monday, August 8, 2011

Rejection letters

Rejection is such a harsh word, isn't it? At its bare bones, the word itself merely means to refuse, or to not accept. It has a lot of connotation, though, and I imagine that's what the harshness stems from. The word's implied meaning is that of repulsion: rejection is suggested to be a bad thing, rather than the simple failure to accept.

I recently received a rejection letter, which, as I'm sure you can imagine, is the reason for this post. I submitted a poem in response to a call put out by a Canadian literary magazine about three months ago, and their response arrived in my inbox a week ago. The e-mail told that the magazine receives a great number of submissions a year and is only in a position to publish a few. I am subscribed to the magazine and can see this is true, given how relatively short each issue is.

Why is it, then, that I and so many others perceive the humble rejection letter to be a failure?

A rejection letter is a good thing. This may be a difficult concept for many to believe, but a rejection letter may also be a compliment. The publishing company is saying that while they may believe your submission to be a worthwhile one, it doesn't necessarily fit with what they were looking for. Why is this a compliment? You were worth responding to. Maybe this seems like a common courtesy, but it does mean that your work wasn't just tossed to the wayside. They read your submission over, analysed it, and after careful thought gave you a no as a response.

The rejection letter is a humbling reminder that we are not perfect, no matter whether this is our first rejection letter or our fifty-first. It is a reminder that we can always improve in some way, and when we look extensively at our own work, perhaps to the point of getting others to look at it for us, we'll be able to find those things that make our work imperfect and polish them. Perhaps your work wasn't rejected due to its imperfections, but searching for those imperfections is a good exercise anyway.

Content people are creative people, that is very true. But you can be content and still strive to improve your work. It's good to be pleased with work you have done, but it's more constructive to try and improve upon it.

That said, I will include the poem that I wrote and had rejected. Perhaps this reflection will help me fix my errors, as well!

This poem is called "Siblings". I wrote it for a magazine that was doing a call for sibling-related poetry. My problem is that I do not have any siblings of my own: I am an only child. That is a possible reason for the rejection, of course, but the reflection of having received a rejection letter was, I feel, still very relevant. Perhaps if the poem was--to use a vague term--better, it still would have been published.

Siblings by K. M. Cooper

Lone
As the pheasant who crows in the spring,
Searching through the brush for its partner.
My search is not so simple.

All my life I have craved a sibling--
A younger child to hold, to teach, to grow with.
When I was young,
Christmas commercials of sisters baking cookies together would bring me to tears.
"You're lucky," friends assured me.
"Having a sister is awful."
I wasn't so sure.

Time passes by and I grow older.
No longer a child, I understand now
My time to have a brother or sister has passed.
I still feel a pang of regret when I hear the conversations--
Nieces and nephews, never to have.
Never the blood-aunt, for my husband, too, is without siblings.
I've resigned myself to a life of fraternal solitude.

Family is, however, what you make.
You cannot choose your blood relatives,
But "family" and "blood relation" are not the same.
No, family is a whole different animal.
The world is filled with my little brothers and sisters,
Some of them older,
Adopted from various walks of life.
Five little sisters I once made coffee with,
Each one eager with news, or asking advice.
Like an older sister, I listen, but in my own way.
Unlike a true older sister, they can share and be assured
I will not tell their parents.
A seemingly twin brother, as well:
We dressed in matching Halloween costumes--
Moustache and all--
As our fiances looked on, bemused.
One little sister, crying on the phone,
Threatening self-violence.
Like a textbook older sister, what I do is sometimes harsh,
In this instance to the point of calling an ambulance.
My aim is not to be liked,
But to guide and protect, even when such guidance may be questioned.
Even disdained.
Inside jokes shared with a blood-relative whose mother is my mother's sister--
Cousins, siblings.
What's the difference?
Any blood relation is, after all, just a bonus.

The pheasant crows, again, and emerges triumphant with his hen.
I may walk alone a spectator,
But my brothers and sisters walk beside me in spirit.

Thursday, May 19, 2011

Summer

Atlantic Canada doesn't really get a spring. Usually we have a very late winter, lasting well through April and sometimes into May. This May, we literally have had rain every day until today.

Today was, summarily, a summer's day. The sun was bright and warm, birds were singing, people walked down the street in shorts and musicians played in the parks. It was a summer's day in which anything seemed possible.

One of my lines in the poem, "creation/appearing/from midair/something/from nothing" exactly describes my thought process as the poem formed in my mind. Thoughts crossed my mind rapidly, so I wrote the poem in a deliberately rapid-fire manner. I also deliberately put only two words per line. I wanted to capture the essence of what I felt, which was the swirling chaos of summer life becoming a magical whirlwind of brightness, colour, and vibrant, happy people.

I like to experiment with form from time to time, so in this particular poem I set up 5 columns. It is read from top to bottom, left to right. By this I mean you read the first column from top to bottom, then move onto the next column on the right and continue.

This is far from a polished masterpiece, but it certainly describes how I felt at the time of writing it. I hope you enjoy it nonetheless.








summer
musicians somewhere

grass between

my toes

punctuated by

dandelions

and me

somewhere

walking

breathing in

song

on

my lips
sun-baked breeze

cars revving

shorts skirts

and fountains

feet dancing

along traintracks

moving aside

let the

train

pass

all peaceful
smoke curling

from

a balcony

a sidewalk

a terrace

drinks

people talking

smiles and

laughter

memories

fading

into existence
summer is

magic

creation

appearing

from midair

something

from nothing

shared moments

become

possibilities

romance

flower scent
on air

real
not imagined

day

becomes night

patio lanterns

fireflies

bonfires

make trails

of sparks

and finally

realisation

that

anything

is possible

Saturday, April 16, 2011

Walking to work

For some reason, I'm always able to pull inspiration from my surroundings at the most inopportune of times. One of those more frequent times tends to be when I'm on my way to work. One of the nice things about this is that I can jot down some of my ideas as I walk with my iPod touch.

Here are a few haiku that I have written on the way to work:

I.
A moment of calm
Before these hours of chaos
Overwhelming me.


II.
Grey cat disappears
Phantom smoke in the bushes
But there is no fire.


III.
Earthworms on pavement
Writhing around wet cement
City of the dead.


A companion to the first haiku is the following poem, which I wrote the other day.

Further moments of calm before chaos
Birdsong my soundtrack
Scent of fresh-fallen rain
The unknown summoning me on an adventure
Though I protest--
Although an adventure is precisely what I crave,
I have previous engagements.

Despite a warning from an oncomer, I write.
Sometimes, inspiration doesn't care if I get a little wet
And neither do I.


What I'm saying is that I want to run off for the day and find something else to do. Like a child I want to chase the wayward wind, leap into a forest or comb the beach for treasure. But, alas.

I know it's not the most intricate of poems but it's merely a work in progress that I may turn into something more at a later time. Poems will do that. They start with a spark, they catch something and flicker, and the next thing you know they have engulfed your page. Some of them just tend to take a little longer than others!

If you'd like, share some of your unfinished works, or works in progress. I'd love to read them!

Thursday, October 14, 2010

Poetry for the Poisoned

One of my favourite bands, Kamelot, recently released a new album that I've been listening to rather extensively since said release. The album is entitled Poetry for the Poisoned. They hosted a contest to celebrate the release of the album, and that contest was to write some Kamelot-related poetry. Here is my poem, which discusses listening to Kamelot while walking to work.

Walking with Ariel

The commute to work is drudgery, for most.
Like a small hell, we crawl, lengthening the hours already before us.
Thinking of the day ahead, we extend our fate.

My headphones on, I choose not to think of work,
But instead choose enjoy the walk.
My favourite songs buzz in my ears, and suddenly,
My walk toward work becomes a walk with Ariel.
No longer alone, we walk together,
And his voice carries me.
I'm not walking--I now drift toward my destination,
And though I cannot be his Helena,
I proudly adorn my own Black Halo as I reach the end of my journey.
It is not the arrival that has completed my day:
Traveling with ghost-melodies has brought me here.